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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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ALTERNATIVE ENTERTAINMENT: A POETIC DOCUMENTARY

This week it is O.P. Srivastava's tryst with temporality as he remembers Mani Kaul's documentary film, a masterpiece, Siddhesh...

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POWERFUL PEOPLE: THE FAALTUGIRI TOUR

Janhavi Samant, a force to be reckoned with, hails from the vibrant streets of Dadar, also known as the cradle of India’s cinematic herit...

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KALEIDOSCOPE: INDIA’S SOLE MUSLIM PARAM VIR CHAKRA AWARDEE

Vikram Khakhar's involvement underscores the importance of this project, which promises to shed light on a pivotal figure in Indian military hi...

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POLITICS: HOW FAR WILL THEY GO WITH HATE?

Humra Quraishi condemns the targeted communal attacks on Muslims taking place repeatedly, and also introduces Sahar Zaman&rsqu...

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KALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK

Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...

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POLITICS: ALL IN THE NAME OF GOD

Humra Quraishi comments about empty promises being made in political speeches, the polarisation, and the harmful propaganda taking place for vo...

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TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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FESTIVALS: THE SUN SHINES ON SUNNY DA DHABA

We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...

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ALTERNATIVE ENTERTAINMENT: TAPAN SINHA’S EK DOCTOR KI MAUT

Tapan Sinha’s Ek Doctor Ki Maut (1990) shows how scientific research and innovation is not given its due in India, and how professional j...

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